autoethnographer: one who uses lived experience as evidence with which to explore cultural phenomena.
Atlas Markers: An Emerging Autoethnography Author’s Memo Atlas Markers n is largely...
Jill Boyles·
All ContentAutoethnographic Art & MultimediaAutoethnographic Literary NonfictionVolume 4, Issue 2 (2024)
··4 min readA Private Life in Rural Idaho Challenges Living in Rural Areas Living...
This piece works to contextualize aging in the queer community, the complexities of developing trends in spectacle versus intimacy, the depth and shallow natures that are found in performance, as well as the fear and hope that can be found as a queer person.
Missing A Beat examines the journey of two brothers as they attempt to leave behind a past marred by domestic violence but are presented with a choice that threatens the sibling bonds that have been their life raft.
Christine Sleeter·
All ContentAutoethnographic EssaysCelebrating Dr. Patricia Leavy's Social Fiction 2024Reflections on Method
··23 min readChristine Sleeter writes about Dr. Patricia Leavy's new genre, Sleeter's own books and her reflections on the social fiction series.
The focus of this piece is to highlight and celebrate the asexual and aromantic community and what it means to exist outside of the expectation to be partnered.
Michael: Tesserae 1 is part of a series written about a two-year community arts fellowship I had with a Baltimore City public middle school and surrounding communities to demonstrate the power of art for community organizing.
As two authors/playwrights exploring this small island on the East Coast of Canada, we write to share our own experiences and perspectives.
Through these reflections on heritage, I delve into being a child of parents who immigrated from the Bronx to a suburban lifestyle.
MILK, ANTHOLOGIES, HORSES, & JOUISSANCE contained work as a meta-performance of the idea of texts passing through other texts.
In this piece, a queer university student from China reflects on his understandings of sexual and ethnic/national identities as he moves from China to the UK to study.
This poem, entitled "Work Out," is about how I dealt with 2020. It's a writing exercise I didn't realize I needed to do.
SPECIAL ISSUE 2024: PATRICIA LEAVY & SOCIAL FICTION
An Invitation to Story: "Everything in my life has shown me that stories matter. Sharing stories matters. Through stories we generate connection, resonance, empathy, reflection, discovery, learning, change, resistance, visibility. Storytelling is at the heart of my work. It’s also at the heart of autoethnography. I hope when you read my books and the contributions in this special issue that you’re inspired to think about how you might tell the stories of your research and your life." Dr. Patricia Leavy
LATEST POSTS
autoethnographer: one who uses lived experience as evidence with which to explore cultural phenomena.
“The AutoEthnographer is an award-winning, non-profit, open-access, peer-reviewed literary and arts magazine dedicated to presenting the creative side of autoethnography, a qualitative research method uniting ethnography and autobiography that utilizes lived experience as evidence with which to explore cultural phenomena." ISSN: 2833-1400
What is autoethnography? The AutoEthnographer's international team of editors offer definitions & suggested readings.
Readers can ask questions about autoethnography or invite an editor to speak to their group or classroom.
MISSION
THE AUTOETHNOGRAPHER is a digital magazine dedicated to creating a public, open-source space for creatives to share their personal stories of cultural experience. We aim to support emerging authors and artists, to promote cultural diversity and appreciation, and to celebrate creative expression as a vehicle for shared understanding and positive change.
MISSION
THE AUTOETHNOGRAPHER is a digital magazine dedicated to creating a public, open-source space for creatives to share their personal stories of cultural experience. We aim to support emerging authors and artists, to promote cultural diversity and appreciation, and to celebrate creative expression as a vehicle for shared understanding and positive change.
SPECIAL ISSUE 2024: PATRICIA LEAVY & SOCIAL FICTION
An Invitation to Story: "Everything in my life has shown me that stories matter. Sharing stories matters. Through stories we generate connection, resonance, empathy, reflection, discovery, learning, change, resistance, visibility. Storytelling is at the heart of my work. It’s also at the heart of autoethnography. I hope when you read my books and the contributions in this special issue that you’re inspired to think about how you might tell the stories of your research and your life." Dr. Patricia Leavy
AUTOETHNOGRAPHIC LITERARY NONFICTION
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AUTOETHNOGRAPHIC LITERARY FICTION
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AUTOETHNOGRAPHIC POETRY
FEATURED POET: MILTON KARP
"My poems are not entirely mine. They belong to the people and events of my passage through life. For once the dam is breached its contents flow unabridged. - Milton Carp, poet at 91"
This piece is intended to give you a sense of the ways in which I use Low-Fat Love in the classroom and why just using it makes the world a better place.
Christine Sleeter writes about Dr. Patricia Leavy's new genre, Sleeter's own books and her reflections on the social fiction series.
Writing fiction allows me to document reality and to reimagine it, just as we can always reimagine ourselves. And that is why we need stories.
Overall, "Little Red" encompasses queerness, womanhood, and the implications of growing into an identity that isn't cherished by society.
"My Old Kentucky Homo," highlights my failure to assimilate into the community in which I still live, fourteen years later.
In this essay, the current reality of queerness is juxtaposed against milestones in my own life as a queer man in America.
Humor acts as a defense mechanism, a pressure release valve, a teaching tool. As a heart surgeon, I have used laughter for all these reasons.
This piece recounts a trip I took to the Czech Republic and it is proof that language barriers similarly embolden people to speak cruelly.
The AutoEthnographer is excited to announce its new Call for Submissions, 2023 Special Issue: “Laughter”
"Damned," the first publication in The AutoEthnographer's Bodily Autonomy issue, is the product of my confused reflection and internal conversations with the culture that raised me."
This collection of poems is a glimpse into the lives lived on the margins, where the laws put in place to protect basic rights and bodily autonomy cease to apply.
In this story I shifted my attention to the young woman –a nurse or a volunteer– who sat beside me and held my hand throughout abortion.
Our future depends on readers like you.
$1 a month can help us reach our goals and continue to provide a platform for important voices and stories.
"This autoethnographic poem is a question about the power of autoethnography in the face of the climate crisis. It is an expression of my dark fears, my depression that keeps me away from writing."
"Award-winning artist, Suzanne Hughes, talks about autoethnography and painting. Suzanne is responsible for the cover art for our special issue based on climate change."
"As the world’s bird populations decline precipitously, will the many winged creatures we knew as children live only in the mists of memory?"
AUTOETHNOGRAPHIC WRITING
In this story I shifted my attention to the young woman –a nurse or a volunteer– who sat beside me and held my hand throughout abortion.
Christine Sleeter writes about Dr. Patricia Leavy's new genre, Sleeter's own books and her reflections on the social fiction series.
This is from the experience of losing someone who you thought would be a part of your family, only to realize their journey was different.
HAVE YOU HEARD?
We're podcasting!
Listen to The AutoEthnographer in the car or on the go and enjoy discussions with artists, authors, performers, and researchers from around the world. In our 20-minute episodes we examine how autoethnography can be utilized in diverse contexts, from marketing and coaching to painting and songwriting.
AUTOETHNOGRAPHIC MULTIMEDIA
"Dr. Nadine Khair discusses why autoethnography is essential to successful businesses in this latest podcast."
In The AutoEthnographer’s latest podcast, Marlen Harrison talks with Sandra Faulkner about collage and visual poetry.
"Award-winning artist, Suzanne Hughes, talks about autoethnography and painting. Suzanne is responsible for the cover art for our special issue based on climate change."
“Woken Word” was born as my inner voice was awakening and the world, ironically was becoming “woke” while simultaneously retreating into isolation.
This essay and video introduce an autoethnographic study of my life as a deaf child in Finland learning sign language.
"I called out the demons one by one. I named them. I gave them precise blocking and ultimately, I controlled where they stood, breathed, and bourréed. I gave them an entrance, and a stage, and then I sent them away."
IAANI AWARD WINNER
“A Seat at the Table” is the autoethnographic manifestation of my vulnerability, anger, and anguish, of my black feminist grit."
Get updates about The AutoEthnographer direct to your inbox!
Sign up for our seasonal newsletter, only four times a year.
Get updates about The AutoEthnographer direct to your inbox!
Sign up for our seasonal newsletter, only four times a year.
"This autoethnographic poem is a question about the power of autoethnography in the face of the climate crisis. It is an expression of my dark fears, my depression that keeps me away from writing."
"I danced each morning with Pina Bausch. I became her pupil lifting my leg up in the air like a flamingo except feeling more awake than I’ve ever been."
"My poems are not entirely mine. They belong to the people and events of my passage through life. For once the dam is breached its contents flow unabridged. - Milton Carp, poet at 91"
FEATURED POET: MILTON KARP
"My poems are not entirely mine. They belong to the people and events of my passage through life. For once the dam is breached its contents flow unabridged. - Milton Carp, poet at 91"
Laurel Richardson and U. Melissa Anyiwo writes the introduction to this special issue celebrating Dr. Patricia Leavy’s work.
"My thesis began to unfold after doing some research on my final topic idea about Tolkien’s world, female characters, female gamers, and the stereotype that females are the love interests or damsels in distress. I chose autoethnography because it allowed me to add that personal angle to the paper because I am a female writer, reader, and gamer."
"It is my hope that these words will serve as the beginning of an ongoing dialogue about what it means to live autoethnography."
Get updates about The AutoEthnographer direct to your inbox!
Sign up for our seasonal newsletter, only four times a year.
NEWS, INTERVIEWS & REVIEWS
"I'm proud to announce that this week, on July 13, Rowman & Littlefield will traditionally publish my second book, Coping with Parental Death: Insights and Tips for Teenagers."
This is a conversation with Patricia Leavy about writing fiction during the pandemic and her new novel, The Location Shoot.
We invite you to participate in National Poetry month with us by reading and writing over at The AutoEthnographer's new Facebook group.
AUTOETHNOGRAPHIC ESSAYS
NEWS, INTERVIEWS & REVIEWS
HAVE YOU HEARD?
We're podcasting!
Listen to The AutoEthnographer in the car or on the go and enjoy discussions with artists, authors, performers, and researchers from around the world. In our 20-minute episodes we examine how autoethnography can be utilized in diverse contexts, from marketing and coaching to painting and songwriting.
REFLECTIONS ON METHOD
SPECIAL ISSUE 2024: PATRICIA LEAVY & SOCIAL FICTION
SPECIAL ISSUE 2023-24: QUEER
SPECIAL ISSUE 2023: LAUGHTER
SPECIAL ISSUE 2022-23: BODILY AUTONOMY
Visitation, an Autoethnodrama in One Act
In this autoethnographic play, a woman terminates a pregnancy without telling her husband.
SPECIAL ISSUE 2022: CLIMATE CHANGE