autoethnographer: one who uses lived experience as evidence with which to explore cultural phenomena.
Atlas Markers: An Emerging Autoethnography Author’s Memo Atlas Markers n is largely...
Jill Boyles·
All ContentAutoethnographic Art & MultimediaAutoethnographic Literary NonfictionVolume 4, Issue 2 (2024)
··4 min readA Private Life in Rural Idaho Challenges Living in Rural Areas Living...
This piece works to contextualize aging in the queer community, the complexities of developing trends in spectacle versus intimacy, the depth and shallow natures that are found in performance, as well as the fear and hope that can be found as a queer person.
Missing A Beat examines the journey of two brothers as they attempt to leave behind a past marred by domestic violence but are presented with a choice that threatens the sibling bonds that have been their life raft.
Christine Sleeter·
All ContentAutoethnographic EssaysCelebrating Dr. Patricia Leavy's Social Fiction 2024Reflections on Method
··23 min readChristine Sleeter writes about Dr. Patricia Leavy's new genre, Sleeter's own books and her reflections on the social fiction series.
The focus of this piece is to highlight and celebrate the asexual and aromantic community and what it means to exist outside of the expectation to be partnered.
Michael: Tesserae 1 is part of a series written about a two-year community arts fellowship I had with a Baltimore City public middle school and surrounding communities to demonstrate the power of art for community organizing.
As two authors/playwrights exploring this small island on the East Coast of Canada, we write to share our own experiences and perspectives.
Through these reflections on heritage, I delve into being a child of parents who immigrated from the Bronx to a suburban lifestyle.
MILK, ANTHOLOGIES, HORSES, & JOUISSANCE contained work as a meta-performance of the idea of texts passing through other texts.
In this piece, a queer university student from China reflects on his understandings of sexual and ethnic/national identities as he moves from China to the UK to study.
This poem, entitled "Work Out," is about how I dealt with 2020. It's a writing exercise I didn't realize I needed to do.
SPECIAL ISSUE 2024: PATRICIA LEAVY & SOCIAL FICTION
An Invitation to Story: "Everything in my life has shown me that stories matter. Sharing stories matters. Through stories we generate connection, resonance, empathy, reflection, discovery, learning, change, resistance, visibility. Storytelling is at the heart of my work. It’s also at the heart of autoethnography. I hope when you read my books and the contributions in this special issue that you’re inspired to think about how you might tell the stories of your research and your life." Dr. Patricia Leavy
LATEST POSTS
autoethnographer: one who uses lived experience as evidence with which to explore cultural phenomena.
“The AutoEthnographer is an award-winning, non-profit, open-access, peer-reviewed literary and arts magazine dedicated to presenting the creative side of autoethnography, a qualitative research method uniting ethnography and autobiography that utilizes lived experience as evidence with which to explore cultural phenomena." ISSN: 2833-1400
What is autoethnography? The AutoEthnographer's international team of editors offer definitions & suggested readings.
Readers can ask questions about autoethnography or invite an editor to speak to their group or classroom.
MISSION
THE AUTOETHNOGRAPHER is a digital magazine dedicated to creating a public, open-source space for creatives to share their personal stories of cultural experience. We aim to support emerging authors and artists, to promote cultural diversity and appreciation, and to celebrate creative expression as a vehicle for shared understanding and positive change.
MISSION
THE AUTOETHNOGRAPHER is a digital magazine dedicated to creating a public, open-source space for creatives to share their personal stories of cultural experience. We aim to support emerging authors and artists, to promote cultural diversity and appreciation, and to celebrate creative expression as a vehicle for shared understanding and positive change.
SPECIAL ISSUE 2024: PATRICIA LEAVY & SOCIAL FICTION
An Invitation to Story: "Everything in my life has shown me that stories matter. Sharing stories matters. Through stories we generate connection, resonance, empathy, reflection, discovery, learning, change, resistance, visibility. Storytelling is at the heart of my work. It’s also at the heart of autoethnography. I hope when you read my books and the contributions in this special issue that you’re inspired to think about how you might tell the stories of your research and your life." Dr. Patricia Leavy
AUTOETHNOGRAPHIC LITERARY NONFICTION
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AUTOETHNOGRAPHIC LITERARY FICTION
Visitation, an Autoethnodrama in One Act
In this autoethnographic play, a woman terminates a pregnancy without telling her husband.
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AUTOETHNOGRAPHIC POETRY
FEATURED POET: MILTON KARP
"My poems are not entirely mine. They belong to the people and events of my passage through life. For once the dam is breached its contents flow unabridged. - Milton Carp, poet at 91"
Writing fiction allows me to document reality and to reimagine it, just as we can always reimagine ourselves. And that is why we need stories.
Christine Sleeter writes about Dr. Patricia Leavy's new genre, Sleeter's own books and her reflections on the social fiction series.
Laurel Richardson and U. Melissa Anyiwo writes the introduction to this special issue celebrating Dr. Patricia Leavy’s work.
This piece works to contextualize aging in the queer community, the complexities of developing trends in spectacle versus intimacy, the depth and shallow natures that are found in performance, as well as the fear and hope that can be found as a queer person.
A Startling Note: "Looking for Gay Friends" in the Triangle Place narrates a gay man’s experience of sexual awakening on a university campus.
A new call for submissions that celebrate, problematize, challenge, or illuminate the many meanings of "queer."
This piece recounts a trip I took to the Czech Republic and it is proof that language barriers similarly embolden people to speak cruelly.
"This is my childhood memory of realizing the power of laughter when everything interior and exterior makes me scared."
I wrote a study of my own faith, bankrupt as it may be, using story of my father, through the lens of Jewishness as I define it for myself.
This collection of poems is a glimpse into the lives lived on the margins, where the laws put in place to protect basic rights and bodily autonomy cease to apply.
"The AutoEthnographer announces a new call for submissions for a late 2022 special issue, 'Bodily Autonomy Rights (Abortion, Circumcision, Contraception).'"
"My poems for this special issue seek to document a history of my choice, not just personally but humanly, to use autoethnography to weave through the personal and the political."
Our future depends on readers like you.
$1 a month can help us reach our goals and continue to provide a platform for important voices and stories.
"Award-winning artist, Suzanne Hughes, talks about autoethnography and painting. Suzanne is responsible for the cover art for our special issue based on climate change."
“We noticed signs of climate change and felt a sense of impending doom, even as we witnessed how human beings across the continent are trying to keep alive a sense of culture, art, and kindness.”
"I tend to take every loss of rainforest personally. My autoethnographic poetry 'The Threat' and 'John Doe' are reflective of this."
AUTOETHNOGRAPHIC WRITING
"When I was first accepted into the PhD by research program in the UK, I had mixed feelings, mainly because I was about to pursue a career that I didn’t have the heart for, and partially because I would need to explore yet another new culture, country, and environment."
"This is my childhood memory of realizing the power of laughter when everything interior and exterior makes me scared."
This work is part of a larger ethnography of scars, one that addresses the intersection medicine, religion, and body politics in (among other places) Nebraska.
HAVE YOU HEARD?
We're podcasting!
Listen to The AutoEthnographer in the car or on the go and enjoy discussions with artists, authors, performers, and researchers from around the world. In our 20-minute episodes we examine how autoethnography can be utilized in diverse contexts, from marketing and coaching to painting and songwriting.
AUTOETHNOGRAPHIC MULTIMEDIA
How do creatives find joy in artistic performance as a form of black feminist autoethnography? Podcast & video.
"Award-winning artist, Suzanne Hughes, talks about autoethnography and painting. Suzanne is responsible for the cover art for our special issue based on climate change."
In The AutoEthnographer’s latest podcast, Marlen Harrison talks with Sandra Faulkner about collage and visual poetry.
"The Pandemic Nature Project is a 35-minute short autoethnographic film that traces a series of personal experiences, emotional reactions, and critical responses to COVID across a series of short vignettes."
"Combining autoethnography and artwork, Supreme Justice aims to reveal the persistence of institutionalized oppression of women through history."
“We noticed signs of climate change and felt a sense of impending doom, even as we witnessed how human beings across the continent are trying to keep alive a sense of culture, art, and kindness.”
IAANI AWARD WINNER
“A Seat at the Table” is the autoethnographic manifestation of my vulnerability, anger, and anguish, of my black feminist grit."
Get updates about The AutoEthnographer direct to your inbox!
Sign up for our seasonal newsletter, only four times a year.
Get updates about The AutoEthnographer direct to your inbox!
Sign up for our seasonal newsletter, only four times a year.
This collection of poems is a glimpse into the lives lived on the margins, where the laws put in place to protect basic rights and bodily autonomy cease to apply.
"I tend to take every loss of rainforest personally. My autoethnographic poetry 'The Threat' and 'John Doe' are reflective of this."
This work of experimental poetry examines the interaction between the happy user of the open source format and the automated surface.
FEATURED POET: MILTON KARP
"My poems are not entirely mine. They belong to the people and events of my passage through life. For once the dam is breached its contents flow unabridged. - Milton Carp, poet at 91"
What is autoethnography? The AutoEthnographer's international team of editors offer definitions & suggested readings.
"Although I never planned it, I wrote a series of novels, Celestial Bodies, that have pierced my heart in a way nothing else ever has, changing me as a writer and as a person."
"My thesis began to unfold after doing some research on my final topic idea about Tolkien’s world, female characters, female gamers, and the stereotype that females are the love interests or damsels in distress. I chose autoethnography because it allowed me to add that personal angle to the paper because I am a female writer, reader, and gamer."
Get updates about The AutoEthnographer direct to your inbox!
Sign up for our seasonal newsletter, only four times a year.
NEWS, INTERVIEWS & REVIEWS
Students at any age or level can be nominated for our student scholarships which come with an opportunity to join our editorial board!
In today's new podcast & video Marlen Harrison talks with current marketing interns about the role of culture in using Google Ads.
In the following interview with award-winning author, Patricia Leavy, we discuss writing fiction and her new novel Hollyland.
AUTOETHNOGRAPHIC ESSAYS
NEWS, INTERVIEWS & REVIEWS
HAVE YOU HEARD?
We're podcasting!
Listen to The AutoEthnographer in the car or on the go and enjoy discussions with artists, authors, performers, and researchers from around the world. In our 20-minute episodes we examine how autoethnography can be utilized in diverse contexts, from marketing and coaching to painting and songwriting.
REFLECTIONS ON METHOD
SPECIAL ISSUE 2024: PATRICIA LEAVY & SOCIAL FICTION
SPECIAL ISSUE 2023-24: QUEER
SPECIAL ISSUE 2023: LAUGHTER
SPECIAL ISSUE 2022-23: BODILY AUTONOMY
Visitation, an Autoethnodrama in One Act
In this autoethnographic play, a woman terminates a pregnancy without telling her husband.
SPECIAL ISSUE 2022: CLIMATE CHANGE