autoethnographer: one who uses lived experience as evidence with which to explore cultural phenomena.
Atlas Markers: An Emerging Autoethnography Author’s Memo Atlas Markers n is largely...
Jill Boyles·
All ContentAutoethnographic Art & MultimediaAutoethnographic Literary NonfictionVolume 4, Issue 2 (2024)
··4 min readA Private Life in Rural Idaho Challenges Living in Rural Areas Living...
This piece works to contextualize aging in the queer community, the complexities of developing trends in spectacle versus intimacy, the depth and shallow natures that are found in performance, as well as the fear and hope that can be found as a queer person.
Missing A Beat examines the journey of two brothers as they attempt to leave behind a past marred by domestic violence but are presented with a choice that threatens the sibling bonds that have been their life raft.
Christine Sleeter·
All ContentAutoethnographic EssaysCelebrating Dr. Patricia Leavy's Social Fiction 2024Reflections on Method
··23 min readChristine Sleeter writes about Dr. Patricia Leavy's new genre, Sleeter's own books and her reflections on the social fiction series.
The focus of this piece is to highlight and celebrate the asexual and aromantic community and what it means to exist outside of the expectation to be partnered.
Michael: Tesserae 1 is part of a series written about a two-year community arts fellowship I had with a Baltimore City public middle school and surrounding communities to demonstrate the power of art for community organizing.
As two authors/playwrights exploring this small island on the East Coast of Canada, we write to share our own experiences and perspectives.
Through these reflections on heritage, I delve into being a child of parents who immigrated from the Bronx to a suburban lifestyle.
MILK, ANTHOLOGIES, HORSES, & JOUISSANCE contained work as a meta-performance of the idea of texts passing through other texts.
In this piece, a queer university student from China reflects on his understandings of sexual and ethnic/national identities as he moves from China to the UK to study.
This poem, entitled "Work Out," is about how I dealt with 2020. It's a writing exercise I didn't realize I needed to do.
SPECIAL ISSUE 2024: PATRICIA LEAVY & SOCIAL FICTION
An Invitation to Story: "Everything in my life has shown me that stories matter. Sharing stories matters. Through stories we generate connection, resonance, empathy, reflection, discovery, learning, change, resistance, visibility. Storytelling is at the heart of my work. It’s also at the heart of autoethnography. I hope when you read my books and the contributions in this special issue that you’re inspired to think about how you might tell the stories of your research and your life." Dr. Patricia Leavy
LATEST POSTS
autoethnographer: one who uses lived experience as evidence with which to explore cultural phenomena.
“The AutoEthnographer is an award-winning, non-profit, open-access, peer-reviewed literary and arts magazine dedicated to presenting the creative side of autoethnography, a qualitative research method uniting ethnography and autobiography that utilizes lived experience as evidence with which to explore cultural phenomena." ISSN: 2833-1400
What is autoethnography? The AutoEthnographer's international team of editors offer definitions & suggested readings.
Readers can ask questions about autoethnography or invite an editor to speak to their group or classroom.
MISSION
THE AUTOETHNOGRAPHER is a digital magazine dedicated to creating a public, open-source space for creatives to share their personal stories of cultural experience. We aim to support emerging authors and artists, to promote cultural diversity and appreciation, and to celebrate creative expression as a vehicle for shared understanding and positive change.
MISSION
THE AUTOETHNOGRAPHER is a digital magazine dedicated to creating a public, open-source space for creatives to share their personal stories of cultural experience. We aim to support emerging authors and artists, to promote cultural diversity and appreciation, and to celebrate creative expression as a vehicle for shared understanding and positive change.
SPECIAL ISSUE 2024: PATRICIA LEAVY & SOCIAL FICTION
An Invitation to Story: "Everything in my life has shown me that stories matter. Sharing stories matters. Through stories we generate connection, resonance, empathy, reflection, discovery, learning, change, resistance, visibility. Storytelling is at the heart of my work. It’s also at the heart of autoethnography. I hope when you read my books and the contributions in this special issue that you’re inspired to think about how you might tell the stories of your research and your life." Dr. Patricia Leavy
AUTOETHNOGRAPHIC LITERARY NONFICTION
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AUTOETHNOGRAPHIC LITERARY FICTION
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AUTOETHNOGRAPHIC POETRY
FEATURED POET: MILTON KARP
"My poems are not entirely mine. They belong to the people and events of my passage through life. For once the dam is breached its contents flow unabridged. - Milton Carp, poet at 91"
Christine Sleeter writes about Dr. Patricia Leavy's new genre, Sleeter's own books and her reflections on the social fiction series.
This piece is intended to give you a sense of the ways in which I use Low-Fat Love in the classroom and why just using it makes the world a better place.
Writing fiction allows me to document reality and to reimagine it, just as we can always reimagine ourselves. And that is why we need stories.
Nothing prepared me for the xenophobia and homophobia I would encounter in Italy. No one warned me how to avoid becoming their victim
"My Old Kentucky Homo," highlights my failure to assimilate into the community in which I still live, fourteen years later.
The focus of this piece is to highlight and celebrate the asexual and aromantic community and what it means to exist outside of the expectation to be partnered.
This piece situates me in a set of sour in-laws relationships that also involved the legal system and it is in the form of autoethnography.
I wrote a study of my own faith, bankrupt as it may be, using story of my father, through the lens of Jewishness as I define it for myself.
This is a love letter to my people, my family and a version of me trying to overcome the trauma of almost seeing their mother die.
This collection of poems is a glimpse into the lives lived on the margins, where the laws put in place to protect basic rights and bodily autonomy cease to apply.
"The AutoEthnographer announces a new call for submissions for a late 2022 special issue, 'Bodily Autonomy Rights (Abortion, Circumcision, Contraception).'"
"I write at length about my experiences surviving rape and abuse as a Western woman in Japan. I was lucky to get out alive."
Our future depends on readers like you.
$1 a month can help us reach our goals and continue to provide a platform for important voices and stories.
"This autoethnographic poem resembles a wave: coming, going, history, hereafter...an endless exchange."
"Throughout 2022, The AutoEthnographer invites rolling submissions in any of our categories (writing, poetry, multimedia, video, performance, etc.) around the theme of "Climate Change"."
"This poem is rumination on how the personal experience of volunteering in never-before-seen flood relief efforts in the remote north reinforces the research that 'many of the changes observed in the climate are unprecedented in thousands, if not hundreds of thousands of years.'"
AUTOETHNOGRAPHIC WRITING
My essay tells my life story in relation to a specific moment in the history of American women’s access to abortion and reproductive justice.
I write of parental grief & my mother's sweater as a comfort to me, exploring cultures of grief where pain meets love and love meets pain.
Nothing prepared me for the xenophobia and homophobia I would encounter in Italy. No one warned me how to avoid becoming their victim
HAVE YOU HEARD?
We're podcasting!
Listen to The AutoEthnographer in the car or on the go and enjoy discussions with artists, authors, performers, and researchers from around the world. In our 20-minute episodes we examine how autoethnography can be utilized in diverse contexts, from marketing and coaching to painting and songwriting.
AUTOETHNOGRAPHIC MULTIMEDIA
In The AutoEthnographer’s latest podcast, Marlen Harrison talks with Sandra Faulkner about collage and visual poetry.
How do creatives find joy in artistic performance as a form of black feminist autoethnography? Podcast & video.
"Award-winning artist, Suzanne Hughes, talks about autoethnography and painting. Suzanne is responsible for the cover art for our special issue based on climate change."
"Combining autoethnography and artwork, Supreme Justice aims to reveal the persistence of institutionalized oppression of women through history."
Today we're talking with the award-winning author, researcher, and performer, Shanita Mitchell about performance and autoethnography.
This essay and video introduce an autoethnographic study of my life as a deaf child in Finland learning sign language.
IAANI AWARD WINNER
“A Seat at the Table” is the autoethnographic manifestation of my vulnerability, anger, and anguish, of my black feminist grit."
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Sign up for our seasonal newsletter, only four times a year.
Get updates about The AutoEthnographer direct to your inbox!
Sign up for our seasonal newsletter, only four times a year.
"I see myself as someone whose organic inquiry and teaching are shaped by radical love, and I am willing to let myself be changed by my students."
"Once I have the first line or two, the rest of the poem seems to flow rather easily. I write whatever comes to mind. Somewhat like a story rather than a poem. I then start to take out the excess words and phrases and pare it down to the essence of what I wish to say. Other times I do not change a word. The muses come and go on their own. I also believe poetry has chosen me."
"This autoethnographic poem is a question about the power of autoethnography in the face of the climate crisis. It is an expression of my dark fears, my depression that keeps me away from writing."
FEATURED POET: MILTON KARP
"My poems are not entirely mine. They belong to the people and events of my passage through life. For once the dam is breached its contents flow unabridged. - Milton Carp, poet at 91"
"It is my hope that these words will serve as the beginning of an ongoing dialogue about what it means to live autoethnography."
Laurel Richardson and U. Melissa Anyiwo writes the introduction to this special issue celebrating Dr. Patricia Leavy’s work.
"I had not been aware that this emotional research was also performing autoethnography, collecting memories from the field"
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Sign up for our seasonal newsletter, only four times a year.
NEWS, INTERVIEWS & REVIEWS
”As of January, 2022 The AutoEthnographer Literary & Arts Magazine is recognized by the United States Internal Revenue Service as a registered nonprofit organization with the mission of becoming a trusted, open-source platform to share and educate readers about evocative personal inquiry, to support emerging authors and artists, to promote cultural diversity and appreciation, and to celebrate creative expression as a vehicle for shared understanding.”
We invite you to participate in National Poetry month with us by reading and writing over at The AutoEthnographer's new Facebook group.
"It is in finding these solutions, the tape and the glue that holds us all together, that we find the beauty of who we are as people."
AUTOETHNOGRAPHIC ESSAYS
NEWS, INTERVIEWS & REVIEWS
HAVE YOU HEARD?
We're podcasting!
Listen to The AutoEthnographer in the car or on the go and enjoy discussions with artists, authors, performers, and researchers from around the world. In our 20-minute episodes we examine how autoethnography can be utilized in diverse contexts, from marketing and coaching to painting and songwriting.
REFLECTIONS ON METHOD
SPECIAL ISSUE 2024: PATRICIA LEAVY & SOCIAL FICTION
SPECIAL ISSUE 2023-24: QUEER
SPECIAL ISSUE 2023: LAUGHTER
SPECIAL ISSUE 2022-23: BODILY AUTONOMY
Visitation, an Autoethnodrama in One Act
In this autoethnographic play, a woman terminates a pregnancy without telling her husband.
SPECIAL ISSUE 2022: CLIMATE CHANGE