autoethnographer: one who uses lived experience as evidence with which to explore cultural phenomena.
Atlas Markers: An Emerging Autoethnography Author’s Memo Atlas Markers n is largely...
Jill Boyles·
All ContentAutoethnographic Art & MultimediaAutoethnographic Literary NonfictionVolume 4, Issue 2 (2024)
··4 min readA Private Life in Rural Idaho Challenges Living in Rural Areas Living...
This piece works to contextualize aging in the queer community, the complexities of developing trends in spectacle versus intimacy, the depth and shallow natures that are found in performance, as well as the fear and hope that can be found as a queer person.
Missing A Beat examines the journey of two brothers as they attempt to leave behind a past marred by domestic violence but are presented with a choice that threatens the sibling bonds that have been their life raft.
Christine Sleeter·
All ContentAutoethnographic EssaysCelebrating Dr. Patricia Leavy's Social Fiction 2024Reflections on Method
··23 min readChristine Sleeter writes about Dr. Patricia Leavy's new genre, Sleeter's own books and her reflections on the social fiction series.
The focus of this piece is to highlight and celebrate the asexual and aromantic community and what it means to exist outside of the expectation to be partnered.
Michael: Tesserae 1 is part of a series written about a two-year community arts fellowship I had with a Baltimore City public middle school and surrounding communities to demonstrate the power of art for community organizing.
As two authors/playwrights exploring this small island on the East Coast of Canada, we write to share our own experiences and perspectives.
Through these reflections on heritage, I delve into being a child of parents who immigrated from the Bronx to a suburban lifestyle.
MILK, ANTHOLOGIES, HORSES, & JOUISSANCE contained work as a meta-performance of the idea of texts passing through other texts.
In this piece, a queer university student from China reflects on his understandings of sexual and ethnic/national identities as he moves from China to the UK to study.
This poem, entitled "Work Out," is about how I dealt with 2020. It's a writing exercise I didn't realize I needed to do.
SPECIAL ISSUE 2024: PATRICIA LEAVY & SOCIAL FICTION
An Invitation to Story: "Everything in my life has shown me that stories matter. Sharing stories matters. Through stories we generate connection, resonance, empathy, reflection, discovery, learning, change, resistance, visibility. Storytelling is at the heart of my work. It’s also at the heart of autoethnography. I hope when you read my books and the contributions in this special issue that you’re inspired to think about how you might tell the stories of your research and your life." Dr. Patricia Leavy
LATEST POSTS
autoethnographer: one who uses lived experience as evidence with which to explore cultural phenomena.
“The AutoEthnographer is an award-winning, non-profit, open-access, peer-reviewed literary and arts magazine dedicated to presenting the creative side of autoethnography, a qualitative research method uniting ethnography and autobiography that utilizes lived experience as evidence with which to explore cultural phenomena." ISSN: 2833-1400
What is autoethnography? The AutoEthnographer's international team of editors offer definitions & suggested readings.
Readers can ask questions about autoethnography or invite an editor to speak to their group or classroom.
MISSION
THE AUTOETHNOGRAPHER is a digital magazine dedicated to creating a public, open-source space for creatives to share their personal stories of cultural experience. We aim to support emerging authors and artists, to promote cultural diversity and appreciation, and to celebrate creative expression as a vehicle for shared understanding and positive change.
MISSION
THE AUTOETHNOGRAPHER is a digital magazine dedicated to creating a public, open-source space for creatives to share their personal stories of cultural experience. We aim to support emerging authors and artists, to promote cultural diversity and appreciation, and to celebrate creative expression as a vehicle for shared understanding and positive change.
SPECIAL ISSUE 2024: PATRICIA LEAVY & SOCIAL FICTION
An Invitation to Story: "Everything in my life has shown me that stories matter. Sharing stories matters. Through stories we generate connection, resonance, empathy, reflection, discovery, learning, change, resistance, visibility. Storytelling is at the heart of my work. It’s also at the heart of autoethnography. I hope when you read my books and the contributions in this special issue that you’re inspired to think about how you might tell the stories of your research and your life." Dr. Patricia Leavy
AUTOETHNOGRAPHIC LITERARY NONFICTION
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AUTOETHNOGRAPHIC LITERARY FICTION
Visitation, an Autoethnodrama in One Act
In this autoethnographic play, a woman terminates a pregnancy without telling her husband.
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AUTOETHNOGRAPHIC POETRY
FEATURED POET: MILTON KARP
"My poems are not entirely mine. They belong to the people and events of my passage through life. For once the dam is breached its contents flow unabridged. - Milton Carp, poet at 91"
Laurel Richardson and U. Melissa Anyiwo writes the introduction to this special issue celebrating Dr. Patricia Leavy’s work.
This piece is intended to give you a sense of the ways in which I use Low-Fat Love in the classroom and why just using it makes the world a better place.
Writing fiction allows me to document reality and to reimagine it, just as we can always reimagine ourselves. And that is why we need stories.
A new call for submissions that celebrate, problematize, challenge, or illuminate the many meanings of "queer."
I share real world examples of why I believe the trans community uses empathy as a powerful tool to combat transphobia and promote self-love.
This piece works to contextualize aging in the queer community, the complexities of developing trends in spectacle versus intimacy, the depth and shallow natures that are found in performance, as well as the fear and hope that can be found as a queer person.
What happens when a witch is black? This piece is a salute to the transformational beauty of cosplay & all the laughter it inspires.
I wrote a study of my own faith, bankrupt as it may be, using story of my father, through the lens of Jewishness as I define it for myself.
Humor acts as a defense mechanism, a pressure release valve, a teaching tool. As a heart surgeon, I have used laughter for all these reasons.
"In this autoethnodrama, a woman terminates a pregnancy without telling her husband."
"This is an autoethnographic narrative where I use my own marriage to tell a story about love, bodily autonomy, acceptance and illness."
"I write at length about my experiences surviving rape and abuse as a Western woman in Japan. I was lucky to get out alive."
Our future depends on readers like you.
$1 a month can help us reach our goals and continue to provide a platform for important voices and stories.
"Throughout 2022, The AutoEthnographer invites rolling submissions in any of our categories (writing, poetry, multimedia, video, performance, etc.) around the theme of "Climate Change"."
"Here is a humble attempt for the 2022 special issue that comes in simple words to show how climate change begins at home."
"I tend to take every loss of rainforest personally. My autoethnographic poetry 'The Threat' and 'John Doe' are reflective of this."
AUTOETHNOGRAPHIC WRITING
Atlas Markers: An Emerging Autoethnography Author’s Memo Atlas Markers n is largely a thought-piece on the development of...
Nothing prepared me for the xenophobia and homophobia I would encounter in Italy. No one warned me how to avoid becoming their victim
What is my responsibility as a trans feminine person when the human-induced strain on the planet is the driver of the climate crisis?
HAVE YOU HEARD?
We're podcasting!
Listen to The AutoEthnographer in the car or on the go and enjoy discussions with artists, authors, performers, and researchers from around the world. In our 20-minute episodes we examine how autoethnography can be utilized in diverse contexts, from marketing and coaching to painting and songwriting.
AUTOETHNOGRAPHIC MULTIMEDIA
Today we're talking with the award-winning author, researcher, and performer, Shanita Mitchell about performance and autoethnography.
"Award-winning artist, Suzanne Hughes, talks about autoethnography and painting. Suzanne is responsible for the cover art for our special issue based on climate change."
In today's new podcast & video Marlen Harrison talks with current marketing interns about the role of culture in using Google Ads.
"Combining autoethnography and artwork, Supreme Justice aims to reveal the persistence of institutionalized oppression of women through history."
"While living in Ecuador, I wrote “Home” which essentially is an homage to the “third-culture kid” phenomenon, when your parents are from another country than the one you grew up in."
"I'm not exactly sure when I decided to make a performance piece about my sister's traumatic brain injury and death. In fact, I'm not sure there ever was a single moment of decision. Her story had become public in many ways, from online care sites to prayer chains to social media posts from family and friends. Her story was being performed out in the world before I started telling it."
IAANI AWARD WINNER
“A Seat at the Table” is the autoethnographic manifestation of my vulnerability, anger, and anguish, of my black feminist grit."
Get updates about The AutoEthnographer direct to your inbox!
Sign up for our seasonal newsletter, only four times a year.
Get updates about The AutoEthnographer direct to your inbox!
Sign up for our seasonal newsletter, only four times a year.
“We noticed signs of climate change and felt a sense of impending doom, even as we witnessed how human beings across the continent are trying to keep alive a sense of culture, art, and kindness.”
"Everybody is a poet in the sense that everyone was/is making do—and making magic—with what they had/have."
The dynamic taking place in these poems was autoethnography, a hybrid of my investigation of the 1960's coupled with my personal experience.
FEATURED POET: MILTON KARP
"My poems are not entirely mine. They belong to the people and events of my passage through life. For once the dam is breached its contents flow unabridged. - Milton Carp, poet at 91"
"'SEE ME, Windows to the Self of the Performer-Autoethnographer' explores the question, 'What can I learn about myself by making artwork as autoethnography'?
"It is in finding these solutions, the tape and the glue that holds us all together, that we find the beauty of who we are as people."
"It is my hope that these words will serve as the beginning of an ongoing dialogue about what it means to live autoethnography."
Get updates about The AutoEthnographer direct to your inbox!
Sign up for our seasonal newsletter, only four times a year.
NEWS, INTERVIEWS & REVIEWS
"The AutoEthnographer is excited to announce the 2022 International Symposium on Autoethnography and Narrative (ISAN), a fully online conference. The conference will occur via Zoom on January 2-5, 2022."
This is a conversation with Patricia Leavy about writing fiction during the pandemic and her new novel, The Location Shoot.
Publication Rights & Contract Information for The AutoEthnographer By submitting work to The AutoEthnographer, contributors affirm that they have read,...
AUTOETHNOGRAPHIC ESSAYS
NEWS, INTERVIEWS & REVIEWS
HAVE YOU HEARD?
We're podcasting!
Listen to The AutoEthnographer in the car or on the go and enjoy discussions with artists, authors, performers, and researchers from around the world. In our 20-minute episodes we examine how autoethnography can be utilized in diverse contexts, from marketing and coaching to painting and songwriting.
REFLECTIONS ON METHOD
SPECIAL ISSUE 2024: PATRICIA LEAVY & SOCIAL FICTION
SPECIAL ISSUE 2023-24: QUEER
SPECIAL ISSUE 2023: LAUGHTER
SPECIAL ISSUE 2022-23: BODILY AUTONOMY
Visitation, an Autoethnodrama in One Act
In this autoethnographic play, a woman terminates a pregnancy without telling her husband.
SPECIAL ISSUE 2022: CLIMATE CHANGE
